As to the story, surprises await one around every corner, almost. And before one knows there is the wolf in the woods dressed up in a deceptively attractive form. (The wolf is only the temptation leading to disaster, though, and not presented here quite as a personified human as another author would present it.) And before one knows one is deep into one third, then half, and then two thirds of the tale, all the while wondering why Eliot has not been allowed the same high pedestal as Austen, Hardy, and so on. Adam Bede has the same character of a story where little happens page after page and yet one is unable to leave it behind, most of the time.
The explanation comes soon enough with the - as Maugham described it of the most popular Tolstoy work of literature - barely or not even barely disguised nature of the moral lesson presented as a story. Hardy's Tess, Tolstoy's Anna Karenina and then Eliot's poor Hetty Sorrel who is a barely mid-teen country girl with no knowledge and experience to keep her out of danger that presents itself disguised as love of a beautiful man, the lord of the land, all are innocent women that suffer consequences of their being unprotected as Tess was or not well guided as Hetty or falling in love as Anna Karenina does, and one is left to wonder if the author or the readers of those days were quite aware that these women, indeed very young women at that, were only human. They are punished, every one of them, with ruin of life and love, and death coming as the only escape for their ruined lives. Meanwhile Tess's rapist or seducer must be murdered by her as the only possible punishment he could find in the social set up, and the various other men of the stories depend on the authors for their just due, with Anna's brother habitually straying and nevertheless maintaining a social respectable position, and Arthur Donnithorne suffering on par with Hetty Sorrel (although not physically or socially but only at heart and less so socially) since Eliot would not let the guilty male go scot free.
As an aside, Eliot is rather less realistic about the time frames - Hetty's travails seem to be sprung on not only the reader but all of her family and other people as a complete surprise all of a sudden, and at that the reader is better prepared with a couple of hints but then lulled into comfort with the passing of time until the troubles suddenly pile up (a bit like the several miles long pile up of the vehicles on highway some years ago in Virginia due to paper mill and fog). This confusion of time factor leads one to wonder if Eliot is quite unaware of facts of life or was dressing those days so very aiding and abetting in hiding them from people - but no, even then, the women around Hetty being unaware for so long of the state she is in is inexplicable. And this must be the reason for the otherwise excellent work being not so very popular or held high in esteem in comparison with works of Austen.
March 6, 2011.
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