Human nature, the author's era, and in particular a corner of the veil over caste system of Europe lifted with the casual reference to the separate churches or chapels for the poor and the gentry - all in all, good.
Friday, February 11, 2011
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Amazingly this is one of the few works of literature where a film or a television serial gives more, not less, than the original work in some ways. The social contexts of the time and the general setup is described in the book by the author as much as the author saw necessary, but times change and perhaps social set up across the world in another land, another time is different. At any rate, what comes across as a very personal story of a young woman in particular and her family in general, with the society as the frame thereof, changes when one takes into account the context of the time and the society, which is brought to view far more clearly on film in the film or television series.
The central character Maggie is very endearing in her persona full of life and aspiring for a life of mind and spirit while in turmoil of heart and conscience. Eliot seems to be a follower of Aquinas, and at any rate finds it necessary to make the poor young girl give up her one chance of finding life of happiness when she and a young man are inexorably drawn in spite of all obstacles, with little quarter given to his very valid arguments about the others they are engaged to being merely cheated if these two pretended no love existed between them.
The author seems to make little of the young woman's quest for independence by on one hand making her insist she won't depend on her relatives if she can make her own living and on the other hand give far more importance to the claims of various relatives and others when weighed in against her own mind and heart.
As for others, the society then clearly had its caste system with money and power playing top roles (which one doubts has changed much) and more, society including most women (author mentions them towards the end as the wives whom the rector cannot bring to see reason or truth where a poor young woman without powerful connections when compared to others is concerned - what else is new? -) consider a young woman as not quite proper except as someone belonging to, property of, under protection of a relative with some money, prestige, power, preferably male. If the male is merely a slightly older brother, nevertheless he has the power of righteous indignation and wrath if the young woman has any emotions much less actions or thoughts that are not explicitly approved prior to having them by the said male, and same is true of other relatives. The young man in question gets far more latitude in comparison.
In short the life and society of Europe was not that different regarding the feudal structure especially regarding women from what is now protested about as the restricted version in lands other than those of richer western nations (which is not a geographical term, since it includes Australia and NZ generally) with lifestyles of plenty and so forth.
One wishes the author had made Maggie's society see common sense and have a heart and allow her and Stephen Guest to be happy, but Eliot seems to think it is necessary to go tragic to deprive Maggie of everything that can possibly be taken from her including life, merely for the sin of having a young man of rich class fallen in love with her - he has been courting her cousin, but is really not bound by promise to her - and the only relief in all this is that the four young people concerned, the two in love and the other two who thought they belonged to them, understand all perfectly with no rancour. Which makes it all the more senseless that the tragedy is forced merely for sake of punishing a flouting of conventional bindings due to truth of hearts.
But then again, the author is a prisoner of her times, and perhaps she meant to bring about change in social attitudes by forcing this tragedy to attention of her readers and making them see sense.
Friday, February 11, 2011
...............................................
Amazingly this is one of the few works of literature where a film or a television serial gives more, not less, than the original work in some ways. The social contexts of the time and the general setup is described in the book by the author as much as the author saw necessary, but times change and perhaps social set up across the world in another land, another time is different. At any rate, what comes across as a very personal story of a young woman in particular and her family in general, with the society as the frame thereof, changes when one takes into account the context of the time and the society, which is brought to view far more clearly on film in the film or television series.
The central character Maggie is very endearing in her persona full of life and aspiring for a life of mind and spirit while in turmoil of heart and conscience. Eliot seems to be a follower of Aquinas, and at any rate finds it necessary to make the poor young girl give up her one chance of finding life of happiness when she and a young man are inexorably drawn in spite of all obstacles, with little quarter given to his very valid arguments about the others they are engaged to being merely cheated if these two pretended no love existed between them.
The author seems to make little of the young woman's quest for independence by on one hand making her insist she won't depend on her relatives if she can make her own living and on the other hand give far more importance to the claims of various relatives and others when weighed in against her own mind and heart.
As for others, the society then clearly had its caste system with money and power playing top roles (which one doubts has changed much) and more, society including most women (author mentions them towards the end as the wives whom the rector cannot bring to see reason or truth where a poor young woman without powerful connections when compared to others is concerned - what else is new? -) consider a young woman as not quite proper except as someone belonging to, property of, under protection of a relative with some money, prestige, power, preferably male. If the male is merely a slightly older brother, nevertheless he has the power of righteous indignation and wrath if the young woman has any emotions much less actions or thoughts that are not explicitly approved prior to having them by the said male, and same is true of other relatives. The young man in question gets far more latitude in comparison.
In short the life and society of Europe was not that different regarding the feudal structure especially regarding women from what is now protested about as the restricted version in lands other than those of richer western nations (which is not a geographical term, since it includes Australia and NZ generally) with lifestyles of plenty and so forth.
One wishes the author had made Maggie's society see common sense and have a heart and allow her and Stephen Guest to be happy, but Eliot seems to think it is necessary to go tragic to deprive Maggie of everything that can possibly be taken from her including life, merely for the sin of having a young man of rich class fallen in love with her - he has been courting her cousin, but is really not bound by promise to her - and the only relief in all this is that the four young people concerned, the two in love and the other two who thought they belonged to them, understand all perfectly with no rancour. Which makes it all the more senseless that the tragedy is forced merely for sake of punishing a flouting of conventional bindings due to truth of hearts.
But then again, the author is a prisoner of her times, and perhaps she meant to bring about change in social attitudes by forcing this tragedy to attention of her readers and making them see sense.
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July 27, 2012.
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