- Lady Susan
- Sense and Sensibility
- Pride and Prejudice
- Mansfield Park
- Emma
- Northanger Abbey
- Persuasion
In addition, this set includes the following bonus items:
- Plan of a Novel, According to Hints from Various Quarters
(a satirical guide to writing the perfect novel)
- Love and Friendship and Other Early Works
(a collection of juvenile writings)
How love itself must give way to rectitude and character is the chief theme, with the obvious lesson that giving way to temptation for now might close the door to happiness, love and future in fact.
That is because while this is assumed to be a romance it is really a very astute picture of society that transcends time and geography and social boundaries and cultures, and applies universally to any place where there are young women at an age ripe to marry without dowries to bring out grooms out of the woods swarming. This is all the more so when the young women in question are not about to while away time with pretense of careers and attempts at education while the men they school and party with are getting ready, or any other subterfuges of societies they belong to.
Marriage is the beginning of the life they are going to lead with homemaking and child rearing and building of social fabric and of future as their occupation, since time immemorial. It can be said to be the most important occupation in the world, and yet few societies make a provision of how the young women can go about securing their life in it, with few structures and storngholds and little if any security.
Jane Austen writes extensively about this in various settings in her works, and offers much light to guide people - not only young women but men and women of all ages - with good counsel. This is her most popular work and most famous one, and with good reason.
It seems like a romance and at some level it is but only after normal intelligent and prudent women - young and old - use decorum and wise counsel added to commonsense. This like other books by the author is about how to live well and safe and be good and decent, sensible and honourable, prudent and not blinded by illusions, and find love and romance and marriage as well.
Often people of a bit less comprehension are likely to make the mistake of a common sort, where they conclude "Elizabeth married Darcy not out of love, but for his money". She - the writer - herself makes a joke of the sort, somewhere along towards the end, but it is clearly a joke for all that. Elizabeth might not have been sighing and fainting with passionate abandon at first sight, but that is because unlike figures of trashy pulp she is a person with a mind and other concerns as well, and for a normal young woman passion does not necessarily come as the blinding flash at first sight any more than it does for - say - a writer or a poet or an artist or a scientist. Which does not reduce the final outcome of a certainty when it does come. Elizabeth married for her conviction of love, respect and rectitude, not for money.
If that were to be true she would not have refused him, or indeed even been off hand, and not fawning or manipulative, even before with all his standoffish behaviour.
But she behaved normally, and refused him with a growing wrath when he proposed - it was not his money, but to begin with the truth of his letter, and then the regard his household had for him, the people who knew him the most, and subsequently his more than civil behaviour towards her relatives who were only middle class, and his obvious attempts to have his sister know her and have her for a friend - these wer the successive steps that changed her more and more.
The final clinching one was of course his taking all the trouble to make amends to the grievous injury caused to her family by his silence, about someone he should have and did not warn people about, and keeping not only silent about it - the efforts he made to make sure about making amends to the injury caused by his reticence - but making sure her uncle would not tell anyone either.
In between was his aunt arriving haughtily to obtain a reassurance from her to the effect that she would not marry him - which not only made her stubborn but made the three concerned (the two and the aunt) realise that she might be considering it seriously, although his offer had not been left on the table indefinitely.
So if anyone out there still thinks Elizabeth married him for his money - I suppose you did not read the story, really.
The writer of the universally popular Pride And Prejudice explores another angle of the conflicts of dealing with life as it is dealt out - wealth and relative status, temptation and opportunities, family and relationships, extended family and relatives, and love that never might be attained.Above all are rectitude and character and values, to be never lost whatever the temptation.
EMMA
Perhaps arguably the second most popular of the writer's works vying with Mansfield Park for the title, this one again explores values and conflicts from another angle, with growth of character and perception, and temptation to meddle in social affairs, as the chief theme. It is more serious than it looks, as is usual with a good deal of her work, where the seemingly most superficial and romantic turns out to be most serious and worthy of note. More people than would care to acknowledge or admit even to themselves do meddle in affairs of others, especially those of heart, with a fond illusion that they can do good to others and provide their happiness for them. But lacking in perception and maturity and judgement and discrimination they often spoil more than they would like to admit, often ruining lives. Couples that might change the world with their love are torn asunder by a disapproving bunch of relatives or even religious heads with their "concern" for the "soul" of the one who might bring wonderious gifts but is not one of them (hence the gifts of course), and the miracle that would have been the families and souls generated with such love are nipped in the bud. Of course, it is only the couple that knows the tremendous love and the pain and suffering of being torn asunder, while others merely go about congratulating one another for having averted an unsuitable match with an outsider. Of course, meddling is not limited to that - couples that could have changed the course of the universe with their love and their gifts combined often get torn apart by meddling others who delude themselves that they were acting in good faith for the betterment of society, and if it is clear they were tormenting a woman or a daughter, well that is what they are for - so they can learn to do the same to others in turn, if so lucky, and so goes the chain. Meanwhile gifts of heaven go squandered into dust because the couples are either too weak to hold on to each other and to their heavenly gift of creation of a new world, or even worse, because one gets turned against another and hurts until the one hurt is no more, which is when the survivor might realise if lucky of what has been lost, even though it might be too late. Often such realisation awaits death of the one who hurt the other one into death. None of this happened in Emma - she was lucky, to have good counsel and love guarding her, and her weakness of character of meddling with others nipped in bud and her mistakes of perception corrected by someone wiser and stern about serious faults. She was lucky indeed.
The not so well to do young woman is taken to a resort by comparatively well to do relatives and is invited by the master of the Northanger Abbey, the father of the young and eligible gentleman who has a mutual attracted to her and courting her, to stay with him and his family, under the impression the she is going to inherit the relatives' money. The character of this father, the rich owner of the home that is the title, unfolds, and there are confusion, test of virtue and character, and separations and misunderstandings. The young man however has excellent character and fortunately realises what is what, and love triumphs even without money.
The most gentle love story from Austen repertoire, with the usual cache of gentle women and men following a normal course of life for their day while falling into easy traps of faults or follies and realising their mistakes and generally rising above, with their counterpart of men and women of small follies or serious faults of character providing examples of how not to be or behave. Someone (name escapes me, having read this long ago, two decades or more) had once pointed out that in Austen nothing happens page after page and yet one reads it with great interest, and to that one might only add, time after time again and again with the interest not diminished at all. And the most interesting are those of her tales that have the gentlest of stories, characters, et al.
LADY SUSAN
If one never knew anyone of this sort, one would think the character is entirely invented. At that it is not that uncommon to come across men who deal with their own children, especially daughters, this cruelly or worse, but they are excused or even pressured to be this cruel and admired for it in various cultures (not excepting west or US for that matter) while women are usually this cruel with children of other women, say a lover's wife or a sister in law. But the character therefore is entirely possible, especially in an era when a woman could only obtain wealth and consequence by marriages her own and her relatives'; and the only area she could use her mind however sharp was in fields related to intrigues of social sort, marriages, love affaires, and so on, especially gossip and vile gossip about other women. This unfortunately is what far too many women and even men use their minds for, even now, for sport and not for want of subjects that could use the sharp minds. Sometimes it is the heart of such a gossiper and mud thrower that is at fault seriously in that destroying another person is the pleasure, and use of mind and other facilities is merely a means. Lady Susan comes as a surprise therefore not because of the subject but the author who chose to write it, since Jane Austen usually is as clear as a sunny day in desert about virtues and vices, and condemning not only the latter but even faults of character that might seem only human today but do lead to follies or tragedies even today often enough unquestionably. Here Austen chooses the letter form prevalent in her time, and avoids commentary, except in letters of another character, giving equal voice to two opposite characters as it were. The story ends well as all Austen tales do to reward virtue, protect innocent and punish vice or folly only in measure. A window as always to her time, and informative in that as well.
" ... Her Ladyship perfectly answers the description you sent me of her, except that I do not think her so pretty as you seem to consider her. She has not a bad face, but there is something so extremely unmajestic in her little diminutive figure, as to render her in comparison with the elegant height of Matilda and Myself, an insignificant Dwarf. Her curiosity to see us (which must have been great to bring her more than four hundred miles) being now perfectly gratified, she already begins to mention their return to town, and has desired us to accompany her. We cannot refuse her request since it is seconded by the commands of our Father, and thirded by the entreaties of Mr. Fitzgerald who is certainly one of the most pleasing young Men, I ever beheld. It is not yet determined when we are to go, but when ever we do we shall certainly take our little Louisa with us. ... "
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"EDWARD the 4th
Curious!
"EDWARD the 6th
Austen admits the bias in the next piece, about James I -
"Why should this last disappointment hang so heavily on my spirits? Why should I feel it more, why should it wound me deeper than those I have experienced before? Can it be that I have a greater affection for Willoughby than I had for his amiable predecessors? Or is it that our feelings become more acute from being often wounded? I must suppose my dear Belle that this is the Case, since I am not conscious of being more sincerely attached to Willoughby than I was to Neville, Fitzowen, or either of the Crawfords, for all of whom I once felt the most lasting affection that ever warmed a Woman’s heart. Tell me then dear Belle why I still sigh when I think of the faithless Edward, or why I weep when I behold his Bride, for too surely this is the case—. My Freinds are all alarmed for me; They fear my declining health; they lament my want of spirits; they dread the effects of both. In hopes of releiving my melancholy, by directing my thoughts to other objects, they have invited several of their freinds to spend the Christmas with us. Lady Bridget Darkwood and her sister-in-law, Miss Jane are expected on Friday; and Colonel Seaton’s family will be with us next week. This is all most kindly meant by my Uncle and Cousins; but what can the presence of a dozen indefferent people do to me, but weary and distress me—. I will not finish my Letter till some of our Visitors are arrived."
"From a YOUNG LADY very much in love to her Freind
"The uncle of Elfrida was the father of Frederic; in other words, they were first cousins by the father's side."
"Scarcely were they seated as usual, in the most affectionate manner in one chair, than the door suddenly opened and an aged gentleman with a sallow face and old pink coat, partly by intention and partly thro' weakness was at the feet of the lovely Charlotte, declaring his attachment to her and beseeching her pity in the most moving manner.
Austen continues being amusing, from chuckling to hilarious.
"Mr. and Mrs. Jones were both rather tall and very passionate, but were in other respects good tempered, well-behaved people. Charles Adams was an amiable, accomplished, and bewitching young man; of so dazzling a beauty that none but eagles could look him in the face.
"Miss Simpson was pleasing in her person, in her manners, and in her disposition; an unbounded ambition was her only fault. Her second sister Sukey was envious, spiteful, and malicious. Her person was short, fat and disagreeable. Cecilia (the youngest) was perfectly handsome, but too affected to be pleasing.
"In Lady Williams every virtue met. She was a widow with a handsome Jointure and the remains of a very handsome face. Tho' benevolent and candid, she was generous and sincere; tho' pious and good, she was religious and amiable, and tho elegant and agreeable, she was polished and entertaining.
"The Johnsons were a family of love, and though a little addicted to the bottle and the dice, had many good qualities.
"Such was the party assembled in the elegant drawing room of Johnson Court, amongst which the pleasing figure of a sultana was the most remarkable of the female masks. Of the males, a mask representing the sun was the most universally admired. The beams that darted from his eyes were like those of that glorious luminary, tho' infinitely superior. So strong were they that no one dared venture within half a mile of them; he had therefore the best part of the room to himself, its size not amounting to more than three quarters of a mile in length and half a one in breadth. The gentleman at last finding the fierceness of his beams to be very inconvenient to the concourse, by obliging them to crowd together in one corner of the room, half shut his eyes, by which means the company discovered him to be Charles Adams in his plain green coat, without any
"For three months did the masquerade afford ample subject for conversation to the inhabitants of Pammydiddle; but no character at it was so fully expatiated on as Charles Adams. The singularity of his appearance, the beams which darted from his eyes, the brightness of his wit, and the whole tout ensemble of his person had subdued the hearts of so many of the young ladies, that of the six present at the masquerade but five had returned uncaptivated. Alice Johnson was the unhappy sixth whose heart had not been able to withstand the power of his charms. But as it may appear strange to my readers, that so much worth and excellence as he possessed should have conquered only hers, it will be necessary to inform them that the Miss Simpsons were defended from his power by ambition, envy, and self-admiration.
"It may now be proper to return to the hero of this novel, the brother of Alice, of whom I believe I have scarcely ever had occasion to speak; which may perhaps be partly owing to his unfortunate propensity to liquor, which so completely deprived him of the use of those faculties nature had endowed him with, that he never did anything worth mentioning. His death happened a short time after Lucy's departure and was the natural consequence of this pernicious practice. By his decease, his sister became the sole inheritress of a very large fortune, which as it gave her fresh hopes of rendering herself acceptable as a wife to Charles Adams, could not fail of being most pleasing to her — and as the effect was joyful, the cause could scarcely be lamented."
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"Sir William Mountague was the son of Sir Henry Mountague, who was the son of Sir John Mountague, a descendant of Sir Christopher Mountague, who was the nephew of Sir Edward Mountague, whose ancestor was Sir James Mountague a near relation of Sir Robert Mountague, who inherited the title and estate from Sir Frederic Mountague.
Quite a round robin of letters, until suddenly it's neatly braided together as a triple wedding!
"To the Revd. James Austen
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"'Give me leave to assure you, Sir,' said Miss Webb, 'that I am highly sensible of your kindness in this respect, which from the shortness of my father's and mother's acquaintance with you, is more than usually flattering.'