Monday, February 8, 2021

The Lifted Veil; by George Eliot.


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The Lifted Veil; by George Eliot. 
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If one has just read Brother Jacob by the author, a harder contrast would be almost impossible to find. Not that one expects another Brother Jacob, at that - it's George Eliot, and her usual oeuvre is moral dilemma, characters that tread the fine line between ethical choice and plausible escape, and variety of contrasting choices of various characters at such moments. 

But this one begins with a desolate soul expecting a lonely death after a life of neglect and grief not come to terms with, and the only brightness is in the expression thereof, in how well the author has expressed the state of heart of such a grief. The only comparison one can think of, of this level of grief, is Letter From An Unknown Woman by Stefan Zweig, but it's not a deliberate thought, and is instead rather that it's evoked - but that is apparent only about halfway through the story. Or perhaps even W. Somerset Maugham's Of Human Bondage a tad later, as the author describes Bertha (who, by the way, seems also to be an extreme version of Rosamond of Middlemarch, at that) playing with Latimer and fooling him, despite his knowing better. 

But that's only the beginning. Then the protagonist, Latimer, speaks of a vision, and as he goes on, it reminds one of The Philosopher's Stone. 

But Colin Wilson lived much later, just as the others - Stefan Zweig, W. Somerset Maugham, and P. G. Wodehouse, did. Were they, each, inspired or influenced so deeply, perhaps subconsciously, by these very different works? For they are, were, excellent writers, not known to or suspected of plagiarism, and their works are excellent, not imitations, certainly not copies. 

One vaguely suspects that Colin Wilson wasn't being merely intellectually speculative, that he perhaps shared the experiences of his protagonist; did George Eliot, of hers, Latimer? At that, it is less surprising than her sudden humour in Brother Jacob, since she doesn't indulge in thst often; except, she's so very rational, so very keen at describing every emotion and every moral dilemma of her characters, rationally at length, that it surprises one she can describe emotions of such despair, such grief and desolation, as she does here, and so to imagine she had visions, that simply stumps one. 
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" ... While the heart beats, bruise it—it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition—make haste—oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still—“ubi saeva indignatio ulterius cor lacerare nequit”; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them."

" ... I have no near relatives who will make up, by weeping over my grave, for the wounds they inflicted on me when I was among them. ... "
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" ... I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But, intrinsically, he had slight esteem for “those dead but sceptred spirits”; having qualified himself for forming an independent opinion by reading Potter’s Æschylus, and dipping into Francis’s Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that a scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. ... "

" ... I was very stupid about machines, so I was to be greatly occupied with them; I had no memory for classification, so it was particularly necessary that I should study systematic zoology and botany; I was hungry for human deeds and humane motions, so I was to be plentifully crammed with the mechanical powers, the elementary bodies, and the phenomena of electricity and magnetism. A better-constituted boy would certainly have profited under my intelligent tutors, with their scientific apparatus; and would, doubtless, have found the phenomena of electricity and magnetism as fascinating as I was, every Thursday, assured they were. As it was, I could have paired off, for ignorance of whatever was taught me, with the worst Latin scholar that was ever turned out of a classical academy. I read Plutarch, and Shakespeare, and Don Quixote by the sly, and supplied myself in that way with wandering thoughts, while my tutor was assuring me that “an improved man, as distinguished from an ignorant one, was a man who knew the reason why water ran downhill.” I had no desire to be this improved man; I was glad of the running water; I could watch it and listen to it gurgling among the pebbles, and bathing the bright green water-plants, by the hour together. I did not want to know why it ran; I had perfect confidence that there were good reasons for what was so very beautiful."

" ... When I was sixteen I was sent to Geneva to complete my course of education; and the change was a very happy one to me, for the first sight of the Alps, with the setting sun on them, as we descended the Jura, seemed to me like an entrance into heaven; and the three years of my life there were spent in a perpetual sense of exaltation, as if from a draught of delicious wine, at the presence of Nature in all her awful loveliness. You will think, perhaps, that I must have been a poet, from this early sensibility to Nature.  But my lot was not so happy as that. A poet pours forth his song and believes in the listening ear and answering soul, to which his song will be floated sooner or later. But the poet’s sensibility without his voice—the poet’s sensibility that finds no vent but in silent tears on the sunny bank, when the noonday light sparkles on the water, or in an inward shudder at the sound of harsh human tones, the sight of a cold human eye—this dumb passion brings with it a fatal solitude of soul in the society of one’s fellow-men. My least solitary moments were those in which I pushed off in my boat, at evening, towards the centre of the lake; it seemed to me that the sky, and the glowing mountain-tops, and the wide blue water, surrounded me with a cherishing love such as no human face had shed on me since my mother’s love had vanished out of my life. I used to do as Jean Jacques did—lie down in my boat and let it glide where it would, while I looked up at the departing glow leaving one mountain-top after the other, as if the prophet’s chariot of fire were passing over them on its way to the home of light. Then, when the white summits were all sad and corpse-like, I had to push homeward, for I was under careful surveillance, and was allowed no late wanderings. ... "
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"“When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague” . . . 

"My father was called away before he had finished his sentence, and he left my mind resting on the word Prague, with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were the summer sunshine of a long-past century arrested in its course—unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold-inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning."

"As soon as I was alone again, I began to ask myself whether I had been sleeping. Was this a dream—this wonderfully distinct vision—minute in its distinctness down to a patch of rainbow light on the pavement, transmitted through a coloured lamp in the shape of a star—of a strange city, quite unfamiliar to my imagination? I had seen no picture of Prague: it lay in my mind as a mere name, with vaguely-remembered historical associations—ill-defined memories of imperial grandeur and religious wars."

" ... No, it was not a dream; was it—the thought was full of tremulous exultation—was it the poet’s nature in me, hitherto only a troubled yearning sensibility, now manifesting itself suddenly as spontaneous creation? Surely it was in this way that Homer saw the plain of Troy, that Dante saw the abodes of the departed, that Milton saw the earthward flight of the Tempter."

" ... Suppose I were to fix my mind on some other place—Venice, for example, which was far more familiar to my imagination than Prague: perhaps the same sort of result would follow. I concentrated my thoughts on Venice; I stimulated my imagination with poetic memories, and strove to feel myself present in Venice, as I had felt myself present in Prague. But in vain. I was only colouring the Canaletto engravings that hung in my old bedroom at home; the picture was a shifting one, my mind wandering uncertainly in search of more vivid images; I could see no accident of form or shadow without conscious labour after the necessary conditions. It was all prosaic effort, not rapt passivity, such as I had experienced half an hour before."
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" ... Doubtless there was another sort of fascination at work—that subtle physical attraction which delights in cheating our psychological predictions, and in compelling the men who paint sylphs, to fall in love with some bonne et brave femme, heavy-heeled and freckled. 

"Bertha’s behaviour towards me was such as to encourage all my illusions, to heighten my boyish passion, and make me more and more dependent on her smiles. Looking back with my present wretched knowledge, I conclude that her vanity and love of power were intensely gratified by the belief that I had fainted on first seeing her purely from the strong impression her person had produced on me. The most prosaic woman likes to believe herself the object of a violent, a poetic passion; and without a grain of romance in her, Bertha had that spirit of intrigue which gave piquancy to the idea that the brother of the man she meant to marry was dying with love and jealousy for her sake. That she meant to marry my brother, was what at that time I did not believe; for though he was assiduous in his attentions to her, and I knew well enough that both he and my father had made up their minds to this result, there was not yet an understood engagement—there had been no explicit declaration; and Bertha habitually, while she flirted with my brother, and accepted his homage in a way that implied to him a thorough recognition of its intention, made me believe, by the subtlest looks and phrases—feminine nothings which could never be quoted against her—that he was really the object of her secret ridicule; that she thought him, as I did, a coxcomb, whom she would have pleasure in disappointing. Me she openly petted in my brother’s presence, as if I were too young and sickly ever to be thought of as a lover; and that was the view he took of me. But I believe she must inwardly have delighted in the tremors into which she threw me by the coaxing way in which she patted my curls, while she laughed at my quotations. Such caresses were always given in the presence of our friends; for when we were alone together, she affected a much greater distance towards me, and now and then took the opportunity, by words or slight actions, to stimulate my foolish timid hope that she really preferred me. And why should she not follow her inclination? I was not in so advantageous a position as my brother, but I had fortune, I was not a year younger than she was, and she was an heiress, who would soon be of age to decide for herself."
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" ... There is no short cut, no patent tram-road, to wisdom: after all the centuries of invention, the soul’s path lies through the thorny wilderness which must be still trodden in solitude, with bleeding feet, with sobs for help, as it was trodden by them of old time."

" ... We try to believe that the egoism within us would have easily been melted, and that it was only the narrowness of our knowledge which hemmed in our generosity, our awe, our human piety, and hindered them from submerging our hard indifference to the sensations and emotions of our fellows.  Our tenderness and self-renunciation seem strong when our egoism has had its day—when, after our mean striving for a triumph that is to be another’s loss, the triumph comes suddenly, and we shudder at it, because it is held out by the chill hand of death."
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" ... The terrible moment of complete illumination had come to me, and I saw that the darkness had hidden no landscape from me, but only a blank prosaic wall: from that evening forth, through the sickening years which followed, I saw all round the narrow room of this woman’s soul—saw petty artifice and mere negation where I had delighted to believe in coy sensibilities and in wit at war with latent feeling—saw the light floating vanities of the girl defining themselves into the systematic coquetry, the scheming selfishness, of the woman—saw repulsion and antipathy harden into cruel hatred, giving pain only for the sake of wreaking itself. 

"For Bertha too, after her kind, felt the bitterness of disillusion.  She had believed that my wild poet’s passion for her would make me her slave; and that, being her slave, I should execute her will in all things. With the essential shallowness of a negative, unimaginative nature, she was unable to conceive the fact that sensibilities were anything else than weaknesses. She had thought my weaknesses would put me in her power, and she found them unmanageable forces. Our positions were reversed. Before marriage she had completely mastered my imagination, for she was a secret to me; and I created the unknown thought before which I trembled as if it were hers. But now that her soul was laid open to me, now that I was compelled to share the privacy of her motives, to follow all the petty devices that preceded her words and acts, she found herself powerless with me, except to produce in me the chill shudder of repulsion—powerless, because I could be acted on by no lever within her reach. I was dead to worldly ambitions, to social vanities, to all the incentives within the compass of her narrow imagination, and I lived under influences utterly invisible to her."
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" ... We learn words by rote, but not their meaning; that must be paid for with our life-blood, and printed in the subtle fibres of our nerves."
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" ... I remember well the look and the smile with which she one day said, after a mistake of this kind on my part: “I used to think you were a clairvoyant, and that was the reason why you were so bitter against other clairvoyants, wanting to keep your monopoly; but I see now you have become rather duller than the rest of the world.” 

"I said nothing in reply.  It occurred to me that her recent obtrusion of herself upon me might have been prompted by the wish to test my power of detecting some of her secrets; but I let the thought drop again at once: her motives and her deeds had no interest for me, and whatever pleasures she might be seeking, I had no wish to baulk her.  There was still pity in my soul for every living thing, and Bertha was living—was surrounded with possibilities of misery."
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February 07, 2021 - February 07, 2021.

Transcribed from the 
1921 
Oxford University Press edition 
by David Price, 
email ccx074@coventry.ac.uk
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