Incidentally the work Yayaati or Yayati is from a story in the great original ancient timeless Sanskrt epic Mahaabhaarata by Paaraashara Vyaasa.
Twists and turns, a little of chance and a little of fate, much more of human characters shaping lives of everyone around with their emotions and actions, follies and greatness.
One of the many, many subplots in the original greatest work ever, by the greatest writer ever, Paaraashara Vyaasa, here given in another language by a competent writer (any more epithets would require a string of those for the original one, and one falls short) as it has happened in other cases, other subplots of the great epic retold by other recent writers. Fascination for the original, and the eternal nature of its truths, is the foundation and the core key to the whole series of such works and their success.
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Begun in the war between Gods and their opposite side the Asuras, this tale - as most parts of Mahaabhaarata do - continues with effects and consequences into human society at more than one level and more than one generation. Unlike the common misconception (story of lust) this story is about pain suffered for no fault of ones own, resulting loss of sweetness, ego, desperation for love, revenge and repentance, lightness of spirit and pride, and so forth - interplays of various human faults and travails.
Kacha came to Shukra Muni (Muni - sage, great learned teacher, someone with knowledge devoted to knowledge and spiritual matters), to learn from him the knowledge that Gods needed to defeat Asuras, but he had to be disguised as a Braahmana - if he admitted to the truth of his being a Kschatriya, he would be refused by the great teacher who belonged to the Asura side, since the knowledge would then be certain of being used against Asuras.
The young and vulnerable daughter of Shukra Muni, Devayaanie, fell in love with him and Kacha played along so as to not rock the boat prematurely. When he spurned her after being found out (since he was discovered to be too tough and resilient physically to be a Braahmana) she was devastated. Her close friend, princess Sharmischtha, perhaps unaware of how hurt she was, played a prank on her along with her friends and Devayaanie was left in water without any clothes on shore after their bathing together, the friends having left with laughter and her clothes.
A king of the realm, Yayaati, arrived soon after on the scene and helped her out, having heard her cry for help; she then informed him that since he had taken her hand under the circumstances and according to the code of chivalry in India then observed, he was obliged to marry her, and he agreed, with no shortage of pleasure since she was attractive and spirited.
Father of Shramischtha, the king of the region, on the other hand, was obliged to make amends for his daughter's thoughtless folly in putting Devayaanie in this predicament - all the more since it need not have ended as well as it did. Devayaanie asked that the princess be given to her as a personal servant for life, not free to have a life of her own until Devayaanie so pleased. This was done, Sharmischtha repentent and her father only relieved the punishment or amends was this easy. (If it were his kingdom or his daughter's life that were asked for, he would have to comply according to the code of conduct.)
Yayaati the easy going king, Devayaanie the proud and upright queen who was a Braahmana woman and hence unused to the Kschtriya easier life and mindset, and the ever watchful Shukramuni to see that his daughter was not ever disrespected again - this did not exactly make for domestic felicity and when Yayaati happened to see the servant, Sharmischtha, who was not only beautiful and well behaved as a princess born and brought up but also softer due to her repentence and status, he fell in love, as did she.
The queen never discovered this until she saw the proof of their liaison, a child. Her wrath brought her father and he cursed Yayaati the adulterer with untimely old age forever. When repentence of the guilty male was enough to melt his heart, he was given one solution - if any young man were willing to exchange his youth with the king's old age, this was possible as long as the king wished to enjoy youth.
Devayaanie's sons along with all other men refused, unwilling. The only young male willing to agree with all his being to such an exchange was Pururawaa, the son of Sharmischthaa. And having enjoyed youth for long Yayaati gave it back to him, with much more - all his love and his heat's blessings, which Pururawaa proceeded to make good use of. According to the code, he was judged the best candidate to inherit the responsibility of his father's kingdom and became the king. (Kingship was not necessarily bestowed on sons, either, but on the best person for the role, chosen by king and - or - agreed generally by the people of the realm.)
"Yayaati" is One (male) Who Has Suffered Pains. The word is related to Yati, which means One (male) Who Goes Through Pains Of His Own Willing Decision, For Sake Of Spiritual Achievement. (The latter word has been used wrongly by western observers and travellers for sightings of unidentified human like creatures in Himaalayaa who have characteristics human but are most likely to vanish when sighted; this characteristic fits very well the possiblity that they in fact are men meditating in regions where they are unlikely to be disturbed by lesser humans.)
Shukra Muni was the one who in wrath called Yayaati "a man who went astray in his lust"; but it is far more complex than that, and he realised this too, which is why he gave a way out of his curse at all.
Pururawaa went on to be one of the great kings in the Mahaabhaarata tradition, an ancestor of the princes of the main story.
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The original work of which this is based on a small story therein, Mahaabhaarata in Sanskrt by ancient sage and poet Paaraashara Vyaasa, is one of the few works that deserve well over five stars - but then it is also one of those that are beyond most readers' capacity to grade, and one can only be grateful if one is able to read it (in any language) and see the beauty and depth therein.
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Sunday, July 18, 2010
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