Thursday, July 15, 2021

White Nights and Other Stories: The Novels of Fyodor Dostoevsky, Volume X by Fyodor Dostoyevsky.


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White Nights and Other Stories: 
The Novels of Fyodor Dostoevsky, Volume X 
by Fyodor Dostoyevsky, 
Constance Garnett
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Contents

White Nights 

Notes from the Underground— part i. 

underground part ii. à propos of the wet snow  

A Faint Heart  

A Christmas Tree and a Wedding  

Polzunkov  

A Little Hero  

Mr. Prohartchin
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White Nights 
by Fyodor Dostoyevsky. 
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This first story has a title borrowed for a vivid film, one that came in some time during last two decades before the millennium, but had nothing to do with this story, unless one sets up an allegory about Soviet persecution and the escape of the dancer; and a good many of us came to know about this story due to this connection, beginning then; subsequently there was a Hindi film early in the new millennium that adapted the story, and the sheer artistic beauty of the film finally brought one to begin reading this when one found it. 

As one reads, one is impressed anew with the said film. To carry the sense of the dreamy protagonist and his dreamworld in a film meant for audience far larger than the readership familiar with this, and also not familiar with Nordic latitudes, is highly nontrivial, and the film did more. It brought the flimsy wispy dream web world to life, not only via the sets that were openly theatrical in this era where shooting on locations is the basic, but had a blue twilight convey the mysterious atmosphere of Northern evenings. The boy's eyes and singing conveyed his dreamworld, as did the girl's. 

So the one thing one wasn't quite ready for is the long monologues in the story, and yet, how else does the author write a lonely dreamer! 

Dostoevsky has painted a miniature saga of a profound, deep loneliness and alienation of a sensitive soul in a crowded city, leaving unsaid the other side - that of someone being connected, rooted when in country - and a chance connection of two such souls for a few minutes producing a deep, everlasting connection, such that it leaves only a love filled with benediction even when one of the two makes a choice for someone else. 

In this the Hindi adaptation differed, the director choosing to portray the young man as one who arrived from unknown origins one day, and heartbroken,  leaving just as suddenly one night, leaving no address for any messages to be forwarded to (the young woman in the film left without any messages of gratitude, much less love, for him, unlike Dostoyevsky's Nastenska); the heartbreak of the young man in film was devastating, unlike the Dostoevsky protagonist who leaves the narrative with a total benediction for her. 

Funnily enough, it was in the first film directed by RK, the grandfather of the young artist who played the role on the film adaptation of the story (incidentally his first film, in turn), that this exact benediction was used more than once, as the object of his love left him. Wonder if that was due to the natural choice, or was the then very young artist the grandfather RK was aware of Dostoyevsky's works, and picked this bit, although the rest of the film had little or nothing to do with White Nights? Or did he have writers working with him who were responsible, although he was someone known to be involved completely in every part of the creative process of his films? 
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""You are sorry for me, Nastenka, you are simply sorry for me, my dear little friend! What's done can't be mended. What is said cannot be taken back. Isn't that so? Well, now you know. That's the starting-point. Very well. Now it's all right, only listen. When you were sitting crying I thought to myself (oh, let me tell you what I was thinking!), I thought, that (of course it cannot be, Nastenka), I thought that you ... I thought that you somehow ... quite apart from me, had ceased to love him. Then—I thought that yesterday and the day before yesterday, Nastenka—then I would—I certainly would—have succeeded in making you love me; you know, you said yourself, Nastenka, that you almost loved me. Well, what next? Well, that's nearly all I wanted to tell you; all that is left to say is how it would be if you loved me, only that, nothing more! Listen, my friend—for any way you are my friend—I am, of course, a poor, humble man, of no great consequence; but that's not the point (I don't seem to be able to say what I mean, Nastenka, I am so confused), only I would love you, I would love you so, that even if you still loved him, even if you went on loving the man I don't know, you would never feel that my love was a burden to you. You would only feel every minute that at your side was beating a grateful, grateful heart, a warm heart ready for your sake.... Oh Nastenka, Nastenka! What have you done to me?"

""I love him; but I shall get over it, I must get over it, I cannot fail to get over it; I am getting over it, I feel that.... Who knows? Perhaps it will all end to-day, for I hate him, for he has been laughing at me, while you have been weeping here with me, for you have not repulsed me as he has, for you love me while he has never loved me, for in fact, I love you myself.... Yes, I love you! I love you as you love me; I have told you so before, you heard it yourself—I love you because you are better than he is, because you are nobler than he is, because, because he——" 

"The poor girl's emotion was so violent that she could not say more; she laid her head upon my shoulder, then upon my bosom, and wept bitterly. I comforted her, I persuaded her, but she could not stop crying; she kept pressing my hand, and saying between her sobs: "Wait, wait, it will be over in a minute! I want to tell you ... you mustn't think that these tears—it's nothing, it's weakness, wait till it's over."... At last she left off crying, dried her eyes and we walked on again. I wanted to speak, but she still begged me to wait. We were silent.... At last she plucked up courage and began to speak.

""It's like this," she began in a weak and quivering voice, in which, however, there was a note that pierced my heart with a sweet pang; "don't think that I am so light and inconstant, don't think that I can forget and change so quickly. I have loved him for a whole year, and I swear by God that I have never, never, even in thought, been unfaithful to him.... He has despised me, he has been laughing at me—God forgive him! But he has insulted me and wounded my heart. I ... I do not love him, for I can only love what is magnanimous, what understands me, what is generous; for I am like that myself and he is not worthy of me—well, that's enough of him. He has done better than if he had deceived my expectations later, and shown me later what he was.... Well, it's over! But who knows, my dear friend," she went on pressing my hand, "who knows, perhaps my whole love was a mistaken feeling, a delusion—perhaps it began in mischief, in nonsense, because I was kept so strictly by grandmother? Perhaps I ought to love another man, not him, a different man, who would have pity on me and ... and.... But don't let us say any more about that," Nastenka broke off, breathless with emotion, "I only wanted to tell you ... I wanted to tell you that if, although I love him (no, did love him), if, in spite of this you still say.... If you feel that your love is so great that it may at last drive from my heart my old feeling—if you will have pity on me—if you do not want to leave me alone to my fate, without hope, without consolation—if you are ready to love me always as you do now—I swear to you that gratitude ... that my love will be at last worthy of your love.... Will you take my hand?""
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"Either the sunbeams suddenly peeping out from the clouds for a moment were hidden again behind a veil of rain, and everything had grown dingy again before my eyes; or perhaps the whole vista of my future flashed before me so sad and forbidding, and I saw myself just as I was now, fifteen years hence, older, in the same room, just as solitary, with the same Matrona grown no cleverer for those fifteen years. 

"But to imagine that I should bear you a grudge, Nastenka! That I should cast a dark cloud over your serene, untroubled happiness; that by my bitter reproaches I should cause distress to your heart, should poison it with secret remorse and should force it to throb with anguish at the moment of bliss; that I should crush a single one of those tender blossoms which you have twined in your dark tresses when you go with him to the altar.... Oh never, never! May your sky be clear, may your sweet smile be bright and untroubled, and may you be blessed for that moment of blissful happiness which you gave to another, lonely and grateful heart! 

"My God, a whole moment of happiness! Is that too little for the whole of a man's life?"
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June 20, 2021 - June 22, 2021. 
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Notes from the Underground, by Fyodor Dostoyevsky. 
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Slightly misleading title, in that it makes a normal reader expect diary of someone involved in preparation for the revolution. 

On the other hand, about a third of the way through the book one is startled, wondering if any Soviet leader or party officials ever read this, or realise the implications? Possibly not, since Dostoevsky was not known to be out of favour. Or did they know, but firmly ignore the possibility that anyone else might see it? Couldn't have been a widely read book, this! 
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Weird fact:- This particular edition, ASIN B0082Z4YIY, Public Domain, does not exist on Amazon when one searches for it, but does on Goodreads; yet Amazon owns Goodreads. How does that happen? 

Equally weird, another edition that we bought on Amazon,  ASIN B08NWBHTN9, is not recognised by Goodreads until one tries adding it as another edition. Then Goodreads says it exists, and the link brings forth one with an ISBN067973452X (ISBN13: 9780679734529) identification. Two hours later, its changed to the ASIN identification one searched, and now the ISBN numbers are missing. Just a goof up?
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In fact, this could very well be a continuation of the previous , White Nights, with no girl involved, or perhaps no other character for that matter. It's a soliloquy of several pages, to begin with, and could continue, for all one might expect. 

It's only about halfway through that it changes from excruciating drivel, making one wonder if readers of his day venerated this author for such stuff, to something outright despicable, as he proceeds to impose himself on a young woman after using her. One wonders if the author's fans took this protagonist as the ideal, sanctified by their god the author, to model their own conduct on, and worse. 
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"Take the whole of the nineteenth century in which Buckle lived. Take Napoleon — the Great and also the present one. Take North America — the eternal union. Take the farce of Schleswig-Holstein... And what is it that civilisation softens in us? The only gain of civilisation for mankind is the greater capacity for variety of sensations — and absolutely nothing more. And through the development of this many- sidedness man may come to finding enjoyment in bloodshed. In fact, this has already happened to him. Have you noticed that it is the most civilised gentlemen who have been the subtlest slaughterers, to whom the Attilas and Stenka Razins could not hold a candle, and if they are not so conspicuous as the Attilas and Stenka Razins it is simply because they are so often met with, are so ordinary and have become so familiar to us. In any case civilisation has made mankind if not more bloodthirsty, at least more vilely, more loathsomely bloodthirsty. In old days he saw justice in bloodshed and with his conscience at peace exterminated those he thought proper. Now we do think bloodshed abominable and yet we engage in this abomination, and with more energy than ever. Which is worse? Decide that for yourselves. They say that Cleopatra (excuse an instance from Roman history) was fond of sticking gold pins into her slave-girls’ breasts and derived gratification from their screams and writhings. You will say that that was in the comparatively barbarous times; that these are barbarous times too, because also, comparatively speaking, pins are stuck in even now; that though man has now learned to see more clearly than in barbarous ages, he is still far from having learnt to act as reason and science would dictate. But yet you are fully convinced that he will be sure to learn when he gets rid of certain old bad habits, and when common sense and science have completely re-educated human nature and turned it in a normal direction. You are confident that then man will cease from INTENTIONAL error and will, so to say, be compelled not to want to set his will against his normal interests. That is not all; then, you say, science itself will teach man (though to my mind it’s a superfluous luxury) that he never has really had any caprice or will of his own, and that he himself is something of the nature of a piano-key or the stop of an organ, and that there are, besides, things called the laws of nature; so that everything he does is not done by his willing it, but is done of itself, by the laws of nature. Consequently we have only to discover these laws of nature, and man will no longer have to answer for his actions and life will become exceedingly easy for him. All human actions will then, of course, be tabulated according to these laws, mathematically, like tables of logarithms up to 108,000, and entered in an index; or, better still, there would be published certain edifying works of the nature of encyclopaedic lexicons, in which everything will be so clearly calculated and explained that there will be no more incidents or adventures in the world. 

"Then — this is all what you say — new economic relations will be established, all ready-made and worked out with mathematical exactitude, so that every possible question will vanish in the twinkling of an eye, simply because every possible answer to it will be provided. Then the “Palace of Crystal” will be built. Then... In fact, those will be halcyon days. Of course there is no guaranteeing (this is my comment) that it will not be, for instance, frightfully dull then (for what will one have to do when everything will be calculated and tabulated), but on the other hand everything will be extraordinarily rational. Of course boredom may lead you to anything. It is boredom sets one sticking golden pins into people, but all that would not matter. What is bad (this is my comment again) is that I dare say people will be thankful for the gold pins then. Man is stupid, you know, phenomenally stupid; or rather he is not at all stupid, but he is so ungrateful that you could not find another like him in all creation. I, for instance, would not be in the least surprised if all of a sudden, A PROPOS of nothing, in the midst of general prosperity a gentleman with an ignoble, or rather with a reactionary and ironical, countenance were to arise and, putting his arms akimbo, say to us all: “I say, gentleman, hadn’t we better kick over the whole show and scatter rationalism to the winds, simply to send these logarithms to the devil, and to enable us to live once more at our own sweet foolish will!” That again would not matter, but what is annoying is that he would be sure to find followers — such is the nature of man. And all that for the most foolish reason, which, one would think, was hardly worth mentioning: that is, that man everywhere and at all times, whoever he may be, has preferred to act as he chose and not in the least as his reason and advantage dictated. And one may choose what is contrary to one’s own interests, and sometimes one POSITIVELY OUGHT (that is my idea). One’s own free unfettered choice, one’s own caprice, however wild it may be, one’s own fancy worked up at times to frenzy — is that very “most advantageous advantage” which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply INDEPENDENT choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice."
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"Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself — as though that were so necessary — that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object — that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated — chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point!"
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"I will not accept as the crown of my desires a block of buildings with tenements for the poor on a lease of a thousand years, and perhaps with a sign-board of a dentist hanging out."

"But do you know what: I am convinced that we underground folk ought to be kept on a curb. Though we may sit forty years underground without speaking, when we do come out into the light of day and break out we talk and talk and talk..."
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Notes from the Underground part ii. 
à propos of the wet snow  
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" ... The characteristics of our romantic are to understand everything, TO SEE EVERYTHING AND TO SEE IT OFTEN INCOMPARABLY MORE CLEARLY THAN OUR MOST REALISTIC MINDS SEE IT; to refuse to accept anyone or anything, but at the same time not to despise anything; to give way, to yield, from policy; never to lose sight of a useful practical object (such as rent-free quarters at the government expense, pensions, decorations), to keep their eye on that object through all the enthusiasms and volumes of lyrical poems, and at the same time to preserve “the sublime and the beautiful” inviolate within them to the hour of their death, and to preserve themselves also, incidentally, like some precious jewel wrapped in cotton wool if only for the benefit of “the sublime and the beautiful.” Our “romantic” is a man of great breadth and the greatest rogue of all our rogues, I assure you... I can assure you from experience, indeed. Of course, that is, if he is intelligent. But what am I saying! The romantic is always intelligent, and I only meant to observe that although we have had foolish romantics they don’t count, and they were only so because in the flower of their youth they degenerated into Germans, and to preserve their precious jewel more comfortably, settled somewhere out there — by preference in Weimar or the Black Forest."
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""But it is only the thin, fair people who go out of their minds in Russia.""
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""I remember how I, invariably so taciturn, suddenly fastened upon Zverkov, when one day talking at a leisure moment with his schoolfellows of his future relations with the fair sex, and growing as sportive as a puppy in the sun, he all at once declared that he would not leave a single village girl on his estate unnoticed, that that was his DROIT DE SEIGNEUR, and that if the peasants dared to protest he would have them all flogged and double the tax on them, the bearded rascals. Our servile rabble applauded, but I attacked him, not from compassion for the girls and their fathers, but simply because they were applauding such an insect. I got the better of him on that occasion, but though Zverkov was stupid he was lively and impudent, and so laughed it off, and in such a way that my victory was not really complete; the laugh was on his side.""
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"Of course a great deal of that, too, was superficial and an assumption of cynicism; of course there were glimpses of youth and freshness even in their depravity; but even that freshness was not attractive, and showed itself in a certain rakishness. I hated them horribly, though perhaps I was worse than any of them. They repaid me in the same way, and did not conceal their aversion for me. But by then I did not desire their affection: on the contrary, I continually longed for their humiliation. To escape from their derision I purposely began to make all the progress I could with my studies and forced my way to the very top. This impressed them. Moreover, they all began by degrees to grasp that I had already read books none of them could read, and understood things (not forming part of our school curriculum) of which they had not even heard. They took a savage and sarcastic view of it, but were morally impressed, especially as the teachers began to notice me on those grounds. The mockery ceased, but the hostility remained, and cold and strained relations became permanent between us."
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"“Why have you come to me, tell me that, please?” I began, gasping for breath and regardless of logical connection in my words. I longed to have it all out at once, at one burst; I did not even trouble how to begin. “Why have you come? Answer, answer,” I cried, hardly knowing what I was doing. “I’ll tell you, my good girl, why you have come. You’ve come because I talked sentimental stuff to you then. So now you are soft as butter and longing for fine sentiments again. So you may as well know that I was laughing at you then. And I am laughing at you now. Why are you shuddering? Yes, I was laughing at you! I had been insulted just before, at dinner, by the fellows who came that evening before me. I came to you, meaning to thrash one of them, an officer; but I didn’t succeed, I didn’t find him; I had to avenge the insult on someone to get back my own again; you turned up, I vented my spleen on you and laughed at you. I had been humiliated, so I wanted to humiliate; I had been treated like a rag, so I wanted to show my power... That’s what it was, and you imagined I had come there on purpose to save you. Yes? You imagined that? You imagined that?”"
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June 03, 2021 - June 03, 2021. 

June 22, 2021 - July 05, 2021. 

Purchased February 13, 2021. 

Kindle Edition 

Published May 17th 2021 

(first published 1864) 

Original Title 
Записки из подполья 

ISBN067973452X 

(ISBN13: 9780679734529)

ASIN:- B08NWBHTN9
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ASIN:- B0082Z4YIY
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A Faint Heart  
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A story about two friends sharing lodgings, of whom one who is handicapped and engaged recently, thereby or otherwise driven out of his mind due to worries about doinģ well, it reminds a reader, if familiar with W. Somerset Maugham, of his comments on Russian literature and the - entirely uncalled for -  exuberance of emotion therein, wondering if Maugham read other than Dostoevsky or even just this story. 

At the end, other doubts and suspicions appear after the author, having gone at length into Arkady having understood Vasys, does not explain it to the reader. 
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"But argue as you may, you can't prevent my thinking that you would like there to be no one unhappy in the whole world when you are getting married.... Yes, brother, you must admit that you would like me, for instance, your best friend, to come in for a fortune of a hundred thousand all of a sudden, you would like all the enemies in the world to be suddenly, for no rhyme or reason, reconciled, so that in their joy they might all embrace one another in the middle of the street, and then, perhaps, come here to call on you. Vasya, my dear boy, I am not laughing; it is true; you've said as much to me long ago, in different ways. Because you are happy, you want every one, absolutely every one, to become happy at once. It hurts you and troubles you to be happy alone. And so you want at once to do your utmost to be worthy of that happiness, and maybe to do some great deed to satisfy your conscience. Oh! I understand how ready you are to distress yourself for having suddenly been remiss just where you ought to have shown your zeal, your capacity ... well, maybe your gratitude, as you say. It is very bitter for you to think that Yulian Mastakovitch may frown and even be angry when he sees that you have not justified the expectations he had of you. It hurts you to think that you may hear reproaches from the man you look upon as your benefactor—and at such a moment! when your heart is full of joy and you don't know on whom to lavish your gratitude.... Isn't that true? It is, isn't it?""
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"" ... When he reached the Neva he stood still for a minute and turned a keen glance up the river into the smoky frozen thickness of the distance, which was suddenly flushed crimson with the last purple and blood-red glow of sunset, still smouldering on the misty horizon.... Night lay over the city, and the wide plain of the Neva, swollen with frozen snow, was shining in the last gleams of the sun with myriads of sparks of gleaming hoar frost. There was a frost of twenty degrees. A cloud of frozen steam hung about the overdriven horses and the hurrying people. The condensed atmosphere quivered at the slightest sound, and from all the roofs on both sides of the river, columns of smoke rose up like giants and floated across the cold sky, intertwining and untwining as they went, so that it seemed new buildings were rising up above the old, a new town was taking shape in the air.... It seemed as if all that world, with all its inhabitants, strong and weak, with all their habitations, the refuges of the poor, or the gilded palaces for the comfort of the powerful of this world was at that twilight hour like a fantastic vision of fairy-land, like a dream which in its turn would vanish and pass away like vapour into the dark blue sky. ... ""
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July 05, 2021 - July 10, 2021. 
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A Christmas Tree and a Wedding: 
Short Story, 
by Fyodor Dostoyevsky. 
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One surprise is that about appearance, of a character Yulian Mastakovich - familiar from A Faint Heart, by Dostoevsky - in this story, but with a changed character, from an understanding and kind boss to a calculating middle aged man attempting to seduce a young - hardly ten year old - child, only because she's reported an heiress, at a Christmas party. 
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"The little girl, who had already a portion of three hundred thousand roubles, received the costliest doll. Then followed presents diminishing in value in accordance with the rank of the parents of these happy children; finally, the child of lowest degree, a thin, freckled, red-haired little boy of ten, got nothing but a book of stories about the marvels of nature and tears of devotion, etc., without pictures or even woodcuts. He was the son of a poor widow, the governess of the children of the house, an oppressed and scared little boy. He was dressed in a short jacket of inferior nankin. After receiving his book he walked round the other toys for a long time; he longed to play with the other children, but did not dare; it was evident that he already felt and understood his position."

"After laughing to my heart's content I returned to the drawing-room. There the great man, surrounded by fathers and mothers of families, including the host and hostess, was saying something very warmly to a lady to whom he had just been introduced. The lady was holding by the hand the little girl with whom Yulian Mastakovitch had had the scene in the parlour a little while before. Now he was launching into praises and raptures over the beauty, the talents, the grace and the charming manners of the charming child. He was unmistakably making up to the mamma. The mother listened to him almost with tears of delight. The father's lips were smiling. Our host was delighted at the general satisfaction. All the guests, in fact, were sympathetically gratified; even the children's games were checked that they might not hinder the conversation: the whole atmosphere was saturated with reverence. I heard afterwards the mamma of the interesting child, deeply touched, beg Yulian Mastakovitch, in carefully chosen phrases, to do her the special honour of bestowing upon them the precious gift of his acquaintance, and heard with what unaffected delight Yulian Mastakovitch accepted the invitation, and how afterwards the guests, dispersing in different directions, moving away with the greatest propriety, poured out to one another the most touchingly flattering comments upon the contractor, his wife, his little girl, and, above all, upon Yulian Mastakovitch."
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"I made my way through the crowd at the door and saw the bridegroom. He was a sleek, well-fed, round, paunchy man, very gorgeously dressed up. He was running fussily about, giving orders. At last the news passed through the crowd that the bride was coming. I squeezed my way through the crowd and saw a marvellous beauty, who could scarcely have reached her first season. But the beauty was pale and melancholy. She looked preoccupied; I even fancied that her eyes were red with recent weeping. The classic severity of every feature of her face gave a certain dignity and seriousness to her beauty. But through that sternness and dignity, through that melancholy, could be seen the look of childish innocence; something indescribably naïve, fluid, youthful, which seemed mutely begging for mercy. 

"People were saying that she was only just sixteen. Glancing attentively at the bridegroom, I suddenly recognized him as Yulian Mastakovitch, whom I had not seen for five years. I looked at her. My God! I began to squeeze my way as quickly as I could out of the church. I heard people saying in the crowd that the bride was an heiress, that she had a dowry of five hundred thousand ... and a trousseau worth ever so much. 

""It was a good stroke of business, though!" I thought as I made my way into the street."
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July 11, 2021 - July 11, 2021. 
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Polzunkov, by Fyodor Dostoevsky. 
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It begins as a description of someone aware of being laughed at by everybody, for no reason, and the author or protagonist seeing him not only as dressed more perfectly, but, in a flash of intuition, also suddenly as a man more honest and generous than everyone else around. 

Subsequently Polzunikov relates how a crooked boss took advantage of him, using every wile and tool including his daughter who Polzunikov was in love with, and an emotional blackmail. 
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July 11, 2021 - July 12, 2021. 
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A Little Hero, by Fyodor Dostoyevsky. 
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About a boy of eleven at turn of childhood into growth, in the borderline wealthy society at a home filled with guests within riding or carriage driving distance of Moscow, being teased by a beautiful young married woman, and confused about her beautiful, silent, miserable cousin as much as about his own deveopling stage of growth. 

One of the most beautiful works of the author.  
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"Fresh visitors used to drive up every minute. Moscow was close by, in sight, so that those who drove away only made room for others, and the everlasting holiday went on its course. Festivities succeeded one another, and there was no end in sight to the entertainments. There were riding parties about the environs; excursions to the forest or the river; picnics, dinners in the open air; suppers on the great terrace of the house, bordered with three rows of gorgeous flowers that flooded with their fragrance the fresh night air, and illuminated the brilliant lights which made our ladies, who were almost every one of them pretty at all times, seem still more charming, with their faces excited by the impressions of the day, with their sparkling eyes, with their interchange of spritely conversation, their peals of ringing laughter; dancing, music, singing; if the sky were overcast tableaux vivants, charades, proverbs were arranged, private theatricals were got up. There were good talkers, story-tellers, wits."
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" ... In the eyes of those charming ladies I was still the little unformed creature whom they at once liked to pet, and with whom they could play as though he were a little doll. One of them particularly, a fascinating, fair woman, with very thick luxuriant hair, such as I had never seen before and probably shall never see again, seemed to have taken a vow never to leave me in peace. I was confused, while she was amused by the laughter which she continually provoked from all around us by her wild, giddy pranks with me, and this apparently gave her immense enjoyment. ... "

" ... Her big open eyes seemed to flash sparks; they glittered like diamonds, and I would never exchange such blue sparkling eyes for any black ones, were they blacker than any Andalusian orb. And, indeed, my blonde was fully a match for the famous brunette whose praises were sung by a great and well-known poet, who, in a superb poem, vowed by all Castille that he was ready to break his bones to be permitted only to touch the mantle of his divinity with the tip of his finger. Add to that, that my charmer was the merriest in the world, the wildest giggler, playful as a child, although she had been married for the last five years. There was a continual laugh upon her lips, fresh as the morning rose that, with the first ray of sunshine, opens its fragrant crimson bud with the cool dewdrops still hanging heavy upon it. ... "
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" ... Mme. M. was not quite happy; they said her husband was as jealous as an Arab, not from love, but from vanity. He was before all things a European, a modern man, who sampled the newest ideas and prided himself upon them. In appearance he was a tall, dark-haired, particularly thick-set man, with European whiskers, with a self-satisfied, red face, with teeth white as sugar, and with an irreproachably gentlemanly deportment. He was called a clever man. Such is the name given in certain circles to a peculiar species of mankind which grows fat at other people's expense, which does absolutely nothing and has no desire to do anything, and whose heart has turned into a lump of fat from everlasting slothfulness and idleness. You continually hear from such men that there is nothing they can do owing to certain very complicated and hostile circumstances, which "thwart their genius," and that it was "sad to see the waste of their talents." This is a fine phrase of theirs, their mot d'ordre, their watchword, a phrase which these well-fed, fat friends of ours bring out at every minute, so that it has long ago bored us as an arrant Tartuffism, an empty form of words. Some, however, of these amusing creatures, who cannot succeed in finding anything to do—though, indeed, they never seek it—try to make every one believe that they have not a lump of fat for a heart, but on the contrary, something very deep, though what precisely the greatest surgeon would hardly venture to decide—from civility, of course. These gentlemen make their way in the world through the fact that all their instincts are bent in the direction of coarse sneering, short-sighted censure and immense conceit. Since they have nothing else to do but note and emphasize the mistakes and weaknesses of others, and as they have precisely as much good feeling as an oyster, it is not difficult for them with such powers of self-preservation to get on with people fairly successfully. They pride themselves extremely upon that. They are, for instance, as good as persuaded that almost the whole world owes them something; that it is theirs, like an oyster which they keep in reserve; that all are fools except themselves; that every one is like an orange or a sponge, which they will squeeze as soon as they want the juice; that they are the masters everywhere, and that all this acceptable state of affairs is solely due to the fact that they are people of so much intellect and character. In their measureless conceit they do not admit any defects in themselves, they are like that species of practical rogues, innate Tartuffes and Falstaffs, who are such thorough rogues that at last they have come to believe that that is as it should be, that is, that they should spend their lives in knavishness; they have so often assured every one that they are honest men, that they have come to believe that they are honest men, and that their roguery is honesty. They are never capable of inner judgment before their conscience, of generous self-criticism; for some things they are too fat. Their own priceless personality, their Baal and Moloch, their magnificent ego is always in their foreground everywhere. All nature, the whole world for them is no more than a splendid mirror created for the little god to admire himself continually in it, and to see no one and nothing behind himself; so it is not strange that he sees everything in the world in such a hideous light. He has a phrase in readiness for everything and—the acme of ingenuity on his part—the most fashionable phrase. It is just these people, indeed, who help to make the fashion, proclaiming at every cross-road an idea in which they scent success. A fine nose is just what they have for sniffing a fashionable phrase and making it their own before other people get hold of it, so that it seems to have originated with them. They have a particular store of phrases for proclaiming their profound sympathy for humanity, for defining what is the most correct and rational form of philanthropy, and continually attacking romanticism, in other words, everything fine and true, each atom of which is more precious than all their mollusc tribe. But they are too coarse to recognize the truth in an indirect, roundabout and unfinished form, and they reject everything that is immature, still fermenting and unstable."
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" ... The same old maid who had brought about my acquaintance with the blonde beauty was at once besieged with entreaties from all the younger people to remain at home and let me have her seat. She was forced to consent, to her intense vexation, with a smile and a stealthy hiss of anger. Her protectress, who was her usual refuge, my former foe and new friend, called to her as she galloped off on her spirited horse, laughing like a child, that she envied her and would have been glad to stay at home herself, for it was just going to rain and we should all get soaked. 

"And she was right in predicting rain. A regular downpour came on within an hour and the expedition was done for. ... "
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"I glanced at the poor woman, who alone was like one dead amidst all this joyous life; two big tears hung motionless on her lashes, wrung from her heart by bitter grief. It was in my power to relieve and console this poor, fainting heart, only I did not know how to approach the subject, how to take the first step. I was in agonies. A hundred times I was on the point of going up to her, but every time my face glowed like fire. 

"Suddenly a bright idea dawned upon me. I had found a way of doing it; I revived. 

""Would you like me to pick you a nosegay?" I said, in such a joyful voice that Mme M. immediately raised her head and looked at me intently. 

""Yes, do," she said at last in a weak voice, with a faint smile, at once dropping her eyes on the book again. 

""Or soon they will be mowing the grass here and there will be no flowers," I cried, eagerly setting to work. 

"I had soon picked my nosegay, a poor, simple one, I should have been ashamed to take it indoors; but how light my heart was as I picked the flowers and tied them up! The dog-rose and the wild jasmine I picked closer to the seat, I knew that not far off there was a field of rye, not yet ripe. I ran there for cornflowers; I mixed them with tall ears of rye, picking out the finest and most golden. Close by I came upon a perfect nest of forget-me-nots, and my nosegay was almost complete. Farther away in the meadow there were dark-blue campanulas and wild pinks, and I ran down to the very edge of the river to get yellow water-lilies. At last, making my way back, and going for an instant into the wood to get some bright green fan-shaped leaves of the maple to put round the nosegay, I happened to come across a whole family of pansies, close to which, luckily for me, the fragrant scent of violets betrayed the little flower hiding in the thick lush grass and still glistening with drops of dew. The nosegay was complete. I bound it round with fine long grass which twisted into a rope, and I carefully lay the letter in the centre, hiding it with the flowers, but in such a way that it could be very easily noticed if the slightest attention were bestowed upon my nosegay. 

"I carried it to Mme. M."
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""Natalie! Natalie! where are you," we heard again, this time quite close. 

""Coming," said Mme. M., in her mellow, silvery voice, which was so choked and quivering with tears and so subdued that no one but I could hear that, "Coming!" 

"But at that instant my heart at last betrayed me and seemed to send all my blood rushing to my face. At that instant a swift, burning kiss scalded my lips. I uttered a faint cry. I opened my eyes, but at once the same gauze kerchief fell upon them, as though she meant to screen me from the sun. An instant later she was gone. I heard nothing but the sound of rapidly retreating steps. I was alone...."
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"I felt more at ease and breathed more freely, but my whole soul was full of a dumb, sweet yearning, as though a veil had been drawn from my eyes as though at a foretaste of something. My frightened heart, faintly quivering with expectation, was groping timidly and joyfully towards some conjecture ... and all at once my bosom heaved, began aching as though something had pierced it, and tears, sweet tears, gushed from my eyes. I hid my face in my hands, and quivering like a blade of grass, gave myself up to the first consciousness and revelation of my heart, the first vague glimpse of my nature. My childhood was over from that moment. 

"* * * * * 

"When two hours later I returned home I did not find Mme. M. Through some sudden chance she had gone back to Moscow with her husband. I never saw her again."
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July 12, 2021 - July 13, 2021. 
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Mr. Prohartchin, 
by Fyodor Dostoyevsky. 
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About a poor old lodger, and his eccentricities, as they seemed, to other - young - lodgers and coworkers. 

And yet - 
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"We will not attribute Semyon Ivanovitch's fate simply to his eccentricity, yet we must observe to the reader that our hero was a very retiring man, unaccustomed to society, and had, until he made the acquaintance of the new lodgers, lived in complete unbroken solitude, and had been marked by his quietness and even a certain mysteriousness; for he had spent all the time that he lodged at Peski lying on his bed behind the screen, without talking or having any sort of relations with any one. Both his old fellow-lodgers lived exactly as he did: they, too were, somehow mysterious people and spent fifteen years lying behind their screens. ... "

"The disappearance of Semyon Ivanovitch made no little stir in the lodgings. One thing was that he was the favourite; another, that his passport, which had been in the landlady's keeping, appeared to have been accidentally mislaid. Ustinya Fyodorovna raised a howl, as was her invariable habit on all critical occasions. She spent two days in abusing and upbraiding the lodgers. She wailed that they had chased away her lodger like a chicken, and all those spiteful scoffers had been the ruin of him; and on the third day she sent them all out to hunt for the fugitive and at all costs to bring him back, dead or alive. Towards evening Sudbin first came back with the news that traces had been discovered, that he had himself seen the runaway in Tolkutchy Market and other places, had followed and stood close to him, but had not dared to speak to him; he had been near him in a crowd watching a house on fire in Crooked Lane. Half an hour later Okeanov and Kantarev came in and confirmed Sudbin's story, word for word; they, too, had stood near, had followed him quite close, had stood not more than ten paces from him, but they also had not ventured to speak to him, but both observed that Semyon Ivanovitch was walking with a drunken cadger. The other lodgers were all back and together at last, and after listening attentively they made up their minds that Prohartchin could not be far off and would not be long in returning; but they said that they had all known beforehand that he was about with a drunken cadger. This drunken cadger was a thoroughly bad lot, insolent and cringing, and it seemed evident that he had got round Semyon Ivanovitch in some way. He had turned up just a week before Semyon Ivanovitch's disappearance in company with Remnev, had spent a little time in the flat telling them that he had suffered in the cause of justice, that he had formerly been in the service in the provinces, that an inspector had come down on them, that he and his associates had somehow suffered in a good cause, that he had come to Petersburg and fallen at the feet of Porfiry Grigoryevitch, that he had been got, by interest, into a department; but through the cruel persecution of fate he had been discharged from there too, and that afterwards through reorganization the office itself had ceased to exist, and that he had not been included in the new revised staff of clerks owing as much to direct incapacity for official work as to capacity for something else quite irrelevant—all this mixed up with his passion for justice and of course the trickery of his enemies. ... "
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" ... Every one was sighing and moaning, every one felt sorry and grieved, and yet all wondered how it was a man could be so completely panic-stricken. And what was he frightened about? It would have been all very well if he had had a good post, had had a wife, a lot of children; it would have been excusable if he were being hauled up before the court on some charge or other; but he was a man utterly insignificant, with nothing but a trunk and a German lock; he had been lying more than twenty years behind his screen, saying nothing, knowing nothing of the world nor of trouble, saving his half-pence, and now at a frivolous, idle word the man had actually gone off his head, was utterly panic-stricken at the thought he might have a hard time of it.... And it never occurred to him that every one has a hard time of it! ... "
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"The torn and broken screen lay cast on the floor, the open box displayed its uninviting contents, the quilt and pillow lay tossed at random, covered with fluff from the mattress, and on the three-legged wooden table gleamed the steadily growing heap of silver and other coins. Only Semyon Ivanovitch preserved his composure, lying calmly on the bed and seeming to have no foreboding of his ruin. When the scissors had been brought and Yaroslav Ilyitch's assistant, wishing to be of service, shook the mattress rather impatiently to ease it from under the back of its owner, Semyon Ivanovitch with his habitual civility made room a little, rolling on his side with his back to the searchers; then at a second shake he turned on his face, finally gave way still further, and as the last slat in the bedstead was missing, he suddenly and quite unexpectedly plunged head downward, leaving in view only two bony, thin, blue legs, which stuck upwards like two branches of a charred tree. As this was the second time that morning that Mr. Prohartchin had poked his head under his bed it at once aroused suspicion, and some of the lodgers, headed by Zinovy Prokofyevitch, crept under it, with the intention of seeing whether there were something hidden there too. But they knocked their heads together for nothing, and as Yaroslav Ilyitch shouted to them, bidding them release Semyon Ivanovitch at once from his unpleasant position, two of the more sensible seized each a leg, dragged the unsuspected capitalist into the light of day and laid him across the bed. Meanwhile the hair and flock were flying about, the heap of silver grew—and, my goodness, what a lot there was!... Noble silver roubles, stout solid rouble and a half pieces, pretty half rouble coins, plebeian quarter roubles, twenty kopeck pieces, even the unpromising old crone's small fry of ten and five kopeck silver pieces—all done up in separate bits of paper in the most methodical and systematic way; there were curiosities also, two counters of some sort, one napoléon d'or, one very rare coin of some unknown kind.... Some of the roubles were of the greatest antiquity, they were rubbed and hacked coins of Elizabeth, German kreutzers, coins of Peter, of Catherine; there were, for instance, old fifteen-kopeck pieces, now very rare, pierced for wearing as earrings, all much worn, yet with the requisite number of dots ... there was even copper, but all of that was green and tarnished.... They found one red note, but no more. At last, when the dissection was quite over and the mattress case had been shaken more than once without a clink, they piled all the money on the table and set to work to count it. At the first glance one might well have been deceived and have estimated it at a million, it was such an immense heap. But it was not a million, though it did turn out to be a very considerable sum—exactly 2497 roubles and a half—so that if Zinovy Prokofyevitch's subscription had been raised the day before there would perhaps have been just 2500 roubles."
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" ... The stuffing from the mattress lay about in heaps. The whole room, suddenly so still, might well have been compared by a poet to the ruined nest of a swallow, broken down and torn to pieces by the storm, the nestlings and their mother killed, and their warm little bed of fluff, feather and flock scattered about them.... Semyon Ivanovitch, however, looked more like a conceited, thievish old cock-sparrow. He kept quite quiet now, seemed to be lying low, as though he were not guilty, as though he had had nothing to do with the shameless, conscienceless, and unseemly duping and deception of all these good people. He did not heed now the sobs and wailing of his bereaved and wounded landlady. On the contrary, like a wary, callous capitalist, anxious not to waste a minute in idleness even in the coffin, he seemed to be wrapped up in some speculative calculation. There was a look of deep reflection in his face, while his lips were drawn together with a significant air, of which Semyon Ivanovitch during his lifetime had not been suspected of being capable. He seemed, as it were, to have grown shrewder, his right eye was, as it were, slyly screwed up. ..."
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July 13, 2021 - July 15, 2021. 
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June 03, 2021 - 

June 20, 2021 - June 22, 2021. 

June 22, 2021 - July 05, 2021. 

July 05, 2021 - July 10, 2021. 

July 11, 2021 - July 12, 2021. 

July 12, 2021 - July 13, 2021. 

July 13, 2021 - July 15, 2021. 

Purchased February 13, 2021. 

Kindle Edition 

Published by Public Domain 

(first published 1848) 

ASIN:- B005051MQQ
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