Tuesday, September 14, 2021

JANE AUSTEN, by Anna Waterston (1863).


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JANE AUSTEN 
by Anna Waterston (1863) 
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Beautifully written. Was this another niece? No, just the influence from reading Jane Austen. 

"In the old Cathedral of Winchester stand the tombs of kings, with dates stretching back to William Rufus and Canute; here, too, are the marble effigies of queens and noble ladies, of crusaders and warriors, of priests and bishops. But our pilgrimage led us to a slab of black marble set into the pavement of the north aisle, and there, under the grand old arches, we read the name of Jane Austen. Many-coloured as the light which streams through painted windows, came the memories which floated in our soul as we read the simple inscription: happy hours, gladdened by her genius, weary hours, soothed by her touch; the honoured and the wise who first placed her volumes in our hand; the beloved ones who had lingered over her pages, the voices of our distant home, associated with every familiar story."

" ... Her life was passed chiefly in the country. Bath, then a fashionable watering-place, with occasional glimpses of London, must have afforded all the intercourse which she held with what is called "the world." Her travels were limited to excursions in the vicinity of her father's residence. Those were days of post-chaises and sedan-chairs, when the rush of the locomotive was unknown. Steam, that genie of the vapour, was yet a little household elf, singing pleasant tunes by the evening fire, at quiet hearthstones; it has since expanded into a mighty giant, whose influences are no longer domestic. The circles of fashion are changed also. Those were the days of country-dances and India muslins; the beaux and belles of "the upper rooms" at Bath knew not the whirl of the waltz, nor the ceaseless involvements of "the German." Yet the measures of love and jealousy, of hope and fear, to which their hearts beat time, would be recognised tonight in every ballroom. Infinite sameness, infinite variety, are not more apparent in the outward than in the inward world, and the work of that writer will alone be lasting who recognises and embodies this eternal law of the great author. 

"Jane Austen possessed in a remarkable degree this rare intuition. The following passage is found in Sir Walter Scott's journal, under date of the fourteenth of March, 1826:—"Read again, and for the third time at least, Miss Austen's finely written novel of 'Pride and Prejudice.' That young lady had a talent for describing the involvements and feelings and characters of ordinary life, which is to me the most wonderful I ever met with. ... It is amid the dreary entries in his journal of 1826, many of which make our hearts ache and our eyes overflow. He read the pages of Jane Austen on the fourteenth of March, and on the fifteenth he writes, "This morning I leave 39 Castle Street for the last time." It was something to have written a book sought for by him at such a moment. Even at Malta, in December, 1831, when the pressure of disease, as well as of misfortune, was upon him, Sir Walter was often found with a volume of Miss Austen in his hand, and said to a friend, "There is a finishing-off in some of her scenes that is really quite above everybody else." "
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"A pleasant anecdote, told to us on good authority in England, is illustrative of Miss Austen's power over various minds. A party of distinguished literary men met at a country-seat; among them was Macaulay, and, we believe, Hallam; at all events, they were men of high reputation. While discussing the merits of various authors, it was proposed that each should write down the name of that work of fiction which had given him the greatest pleasure. Much surprise and amusement followed; for, on opening the slips of paper, seven bore the name of "Mansfield Park,"—a coincidence, of opinion most rare, and a tribute to an author unsurpassed."
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" ... While the English language is read, the world will always be provided with souls who can enjoy the rare excellence of that rich legacy left to them by her genius."
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September 14, 2021 - September 14, 2021. 
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https://www.theatlantic.com/magazine/archive/1863/02/jane-austen/529983/
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